Paris, 1 March 1958 - Personal correspondence Roland Penrose's letter to Pablo Picasso, dated 1 March 1958
Paris, 25 August 1958 - Personal correspondence Roland Penrose's letter to Pablo Picasso, dated 25 August 1958
Paris, 27 February 1958 - Institutional correspondence Daniel-Henry Kahnweiler's letter to Alfred H. Barr Jr., dated 27 February 1958
New York, 18 April 1958 - Institutional correspondence A telegram from Alfred H. Barr Jr. to Pablo Picasso, dated 18 April 1958
ca. 1958 - Internal institutional documents Request sheet for the replica Guernica tapestry, to be included in the exhibition La influencia del cubismo en el diseño de tapices (The Influence of Cubism in Tapestry Designs), in Arras
2004 - Photograph Maya Picasso and Diana Widmeyer Picasso contemplate the Guernica tapestry at Atelier Picasso, Paris
Palma de Mallorca, 2004 - Photograph Socialist supporters hoist a banner of Guernica during a rally for the presidential candidate José Luis Rodríguez Zapatero
November, 2009 - Monographs Cover of the book Palestine's Guernica. A Diary of Israeli Aggression on Gaza
London, 31 May 2009 - Photograph A group of tourists strike a pose in front of a replica of Guernica during the event "A Taste of Spain"
Philadelphia, 1958 - Exhibition catalogue Catalogue for the exhibition Picasso: 75th Anniversary at the Philadelphia Museum of Art
Thessaloniki, 2004 - Photograph A banner with a reproduction of Guernica during a demonstration in support of Iraq and Palestine
<em>Parabólica Magazine</em>, Seville, special number, November 2004 - Magazine “A propósito de la BIACS: políticas culturales” (“About BIACS: Cultural Policies”)
Whitechapel Gallery, London, April 5, 2009 – April 18, 2010 - Exhibition Installation The Nature of the Beast, Whitechapel Art Gallery
Centro José Guerrero de Granada, Granada, January 29 – April 12, 2009 - Exhibition Martha Rosler: la casa, la calle, la cocina (The House, the Street, the Kitchen)
<em>October</em>, no. 110, Cambridge (MA): The MIT Press (autumn, 2004): 3–22 - Essay “An Archival Impulse”
Gerti Fietzek (ed.), Cologne: Buchhandlung Walther König, 2009 - Essay Maria Eichhorn. The Artist's Contract
Hans-Ulrich Obrist (ed.), <em>Leon Golub: Do Paintings Bite? Selected Texts 1948–1996</em>, Ostfildern: Hatje Cantz, 1997, 184–191 - Article “Guernica, the Apocalypse of Saint-Sever”
<em>New Left Review</em>, London, vol. 27 (May–June 2004): 5–21 - Article “Afflicted Powers: The State, the Spectacle and September 11”