New York: Praeger Publishers Inc., 1973 - Essay Six Years: The Dematerialization of the Art Object from 1966 to 1972
<em>Diacritics</em>, Baltimore: The Johns Hopkins University Press, vol. 25, no. 2 (summer, 1995): 9–63 - Essay “Archive Fever: A Freudian Impression”
<em>October</em>, no. 110, Cambridge (MA): The MIT Press (autumn, 2004): 3–22 - Essay “An Archival Impulse”
<em>Archive Fever: Uses of the Document in Contemporary Art</em>. New York: International Center of Photography, exh. cat., 2008, 11–51 - Essay “Archive Fever: Photography between History and the Monument”
Gerti Fietzek (ed.), Cologne: Buchhandlung Walther König, 2009 - Essay Maria Eichhorn. The Artist's Contract
Jeanne Siegel (ed.), <em>Artwords: Discourse on the ‘60s and ‘70s</em>, Ann Arbor: UMI Research Press, 1985, 101-119 - Essay “How Effective Is Social Protest Art? (Vietnam)”
Ellen C. Oppler (ed.), <em>Picasso’s Guernica</em>, New York and London: W. W. Norton & Company, 1988, 236–238 - Essay “How Effective Is Social Protest Art? (Vietnam)”
Manchester and New York: Manchester University Press, 1999 - Essay Art, Politics and Dissent: Aspects of the Art Left in Sixties America
Oxford: Oxford University Press, 2017 - Essay My Lai: Vietnam, 1968, and the Descent into the Darkness
David Holloway and John Beck (eds.), <em>American Visual Cultures</em>, New York: Continuum, 2005, 190–198 - Essay “New Modes of Dissent in Art of the 1960s and 1970s: Visual Culture and Strategies of Resistance: from Semina to Heresies”
![Lucy R. Lippard, <em>Six Years: The dematerialisation of the art object from 1966 to 1972</em> [1973], Berkeley: University of California Press, 1997](/sites/default/files/styles/medium/public/documento/FF-124_0.jpg?itok=GRRD9XHM "Lucy R. Lippard, <em>Six Years: The dematerialisation of the art object from 1966 to 1972</em> [1973], Berkeley: University of California Press, 1997")
