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38 documents have been found of type Article o Digital print on paper.

Guernica. El teorema de la galería de arte: vigilar e iluminar

2014 - Digital print on paper

Guernica. El teorema de la galería de arte: vigilar e iluminar

Guernica chileno

25 October 2019 - Digital print on paper

October 2019, Chilean Guernica

William F. Pepper and Benjamin Spock, “The Children of Vietnam”, <em>Ramparts</em>, San Diego, vol. 5, no. 7 (January 1967): 44–68

<em>Ramparts</em>, San Diego, vol. 5, no. 7 (January 1967): 44–68 - Article

“The Children of Vietnam”

Leon Golub, "The Artist as an Angry Artist: The Obsession with Napalm”, <em>Arts Magazine</em>, New York, vol. 41, no. 6, (April 1967): 48

<em>Arts Magazine</em>, New York, vol. 41, no. 6, (April 1967): 48–49 - Article

“The Artist as an Angry Artist: The Obsession with Napalm”

James F. Colaianni, "Napalm: Made in USA. A Small-Town Diary", <em>Ramparts</em>, San Diego, vol. 5, no. 3 (August, 1966): 46

<em>Ramparts</em>, San Diego, vol. 5, no. 3 (August, 1966): 46–50 - Article

“Napalm: Made in USA. A Small-Town Diary”

“The Massacre at My Lai”, <em>Life</em>, New York, December 5, 1969, 36–37

<em>Life</em>, New York, December 5, 1969, 36–45 - Article

“The Massacre at My Lai”

Susan Sontag, "Building A Tower For Peace”, <em>Los Angeles Free Press</em>, Los Angeles, vol. 3 (9), no. 85 (March 4, 1966): front cover

<em>Los Angeles Free Press</em>, Los Angeles, vol. 3 (9), no. 85 (March 4, 1966): front page and inside pages (4–5) - Article

“Building A Tower For Peace”

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, front cover

New York: Columbia University Press, 2010 - Article

Hiroshima after Iraq: Three Studies in Art and War

The New Yorker, "Ten Years of Abu Ghraib", <em>The New Yorker</em>, New York, April 28, 2014

<em>The New Yorker</em>, New York, April 28, 2014 - Article

"Ten Years of Abu Ghraib"

Excerpt from “Reading 1968: The Great American Whitewash”, available in: ringgoldinthe1960s.blogspot.com, September 30, 2009

<em>Invisibility Blues: From Pop to Theory</em>, London and New York: Verso, 1990 - Article

“Reading 1968: The Great American Whitewash”

Martin Herbert, “2nd Seville Biennial”, <em>Frieze</em>, London, no. 104 (January–February 2007), January 1, 2007

<em>Frieze</em>, London, no. 104 (January–February 2007), January 1, 2007 - Article

“2nd Seville Biennial”

Javier Martín-Arroyo, “El fiasco de la Bienal de Arte de Sevilla acaba en condena” (The fiasco of the Art Biennial of Seville ends up with a sentence), <em>El País</em>, January 21, 2016

<em>El País</em>, January 21, 2016 - Article

“El fiasco de la Bienal de Arte de Sevilla acaba en condena” (The fiasco of the Art Biennial of Seville ends up with a sentence)

Paco González, <em>Sevilla. Política cultural. BIACS</em> (Seville. Cultural Policies. BIACS), 2008. Available at: publicaciones.zemos98.org

Report, 2008 - Article

Sevilla. Política cultural. BIACS (Seville. Cultural Policies. BIACS)

Alexander Nazaryan, “Mark Lombardi's Art Was Full of Conspiracies—Now His Death Has Become One”, <em>Newsweek</em>, New York, March 10, 2015

<em>Newsweek</em>, New York, March 10, 2015 - Article

“Mark Lombardi's Art Was Full of Conspiracies — Now His Death Has Become One”

Carol Duncan and Alan Wallach, “The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis”, <em>Marxist Perspectives</em>, New York, vol. 1, no. 4 (winter, 1978): 28–29

<em>Marxist Perspectives</em>, New York, vol. 1, no. 4 (winter, 1978): 28–51 - Article

“The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis”

Alan Wallach, “The Museum of Modern Art: The Past’s Future”, <em>Journal of Design History</em>, vol. 5, no. 3 (1992): 207

<em>Journal of Design History</em>, vol. 5, no. 3 (1992): 207–215 - Article

“The Museum of Modern Art: The Past’s Future”

Seymour Hersh, “Lieutenant Accused of Murdering 109 Civilians”, <em>St. Louis Post-Dispatch</em>, Saint-Louis, November 13, 1969, front page

<em>St. Louis Post-Dispatch</em>, Saint-Louis, November 13, 1969, front page and inside pages - Article

“Lieutenant Accused of Murdering 109 Civilians”

Front cover of <em>Life</em>, New York, November 8, 1968

<em>Life</em>, New York, November 8, 1968, front cover - Article

“As the bombing stops—THIS GIRL TRON”

Robert Lowell, “Judgment Deferred on Lieutenant Calley”, <em>The New York Review of Books</em>, New York, May 6, 1971

<em>The New York Review of Books</em>, New York, May 6, 1971 - Article

“Judgment Deferred on Lieutenant Calley”

Leon Golub, “Guernica, the Apocalypse of Saint-Sever”, in Hans-Ulrich Obrist (ed.), <em>Leon Golub: Do Paintings Bite? Selected Texts 1948–1996</em>, Ostfildern: Hatje Cantz, 1997, 184

Hans-Ulrich Obrist (ed.), <em>Leon Golub: Do Paintings Bite? Selected Texts 1948–1996</em>, Ostfildern: Hatje Cantz, 1997, 184–191 - Article

“Guernica, the Apocalypse of Saint-Sever”

Francis Frascina, “Berlin, Paris, Liverpool: ‘Biennialization’ and Left Critique in 2012”, <em>Journal of Curatorial Studies</em>, Toronto, vol. 2, no. 1 (February 1, 2013): 2–31(30)

<em>Journal of Curatorial Studies</em>, Toronto, vol. 2, no. 1 (February 1, 2013): 2–31(30) - Article

“Berlin, Paris, Liverpool: ‘Biennialization’ and Left Critique in 2012”

RETORT, “Afflicted Powers: The State, the Spectacle and September 11”, <em>New Left Review</em>, London, vol. 27 (May–June 2004): 5

<em>New Left Review</em>, London, vol. 27 (May–June 2004): 5–21 - Article

“Afflicted Powers: The State, the Spectacle and September 11”

Alex Gross, "Artists attack MoMA", <em>East Village Other</em>, New York, vol. 5, no. 3 (June 24, 1969). Included in: Art Workers Coalition (AWC), <em>Documents 1</em>, New York: Art Workers’ Coalition (AWC), 1969, 8

Periodical, New York, 1965–1972 - Article

East Village Other

John Perreault, "Art. Whose art?", <em>The Village Voice</em>, New York, January 9, 1969. Included in: Art Workers Coalition (AWC), <em>Documents 1</em>, New York: Art Workers’ Coalition (AWC), 1969, 2

Periodical, New York, 1955–2017 - Article

The Village Voice