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30 documents have been found of type Monographs o Essay o Oil and charcoal on canvas.

EN Entender a Picasso: un estudio de sus estilos y evolución

1940 - Monographs

Understanding Picasso: a Study of His Styles and Development

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Paris, 1975 - Monographs

The destruction of Guernica: Journalism, diplomacy, propaganda and history

EN Guerra y revolución en España, 1936-1939

1975–1977 - Monographs

War and Revolution in Spain, 1937–1939

Mexico and the Spanish Republic: Anthology of Documents, 1931–1977

Mexico City, 1978 - Monographs

Mexico and the Spanish Republic: Anthology of Documents, 1931–1977

Especial Guernica

1977 - Monographs

Guernica Special

Cover of the book Palestine's Guernica. A Diary of Israeli Aggression on Gaza

November, 2009 - Monographs

Cover of the book Palestine's Guernica. A Diary of Israeli Aggression on Gaza

Chronicle of contemporary art

1971 - Monographs

Chronicle of contemporary art

The Basque Labyrinth

1986 - Monographs

The Basque Labyrinth, Julio Caro Baroja

Didactic guide of Spanish Painting in the Museo del Prado developed byl Gabinete Didáctico

Madrid, January 1986 - Monographs

Didactic Guide on Spanish Painting in the Museo del Prado, developed by the Education Office

Against Guernica

Libel - Monographs

Against Guernica

Picasso and His Critics I. The Reception of Guernica, 1937–1947

Text anthology - Monographs

Picasso and His Critics I. The Reception of Guernica, 1937-1947

Picasso and His Critics II. The Reception of Guernica, 1937–1947

Text anthology - Monographs

Picasso and His Critics II. The Reception of Guernica, 1937–1947

Picasso and Cubism

Madrid, 1956 - Monographs

Picasso and Cubism

EN Picasso

1944 - Monographs

Picasso, by Elizabeth McCausland

EN Picasso: The recent years 1939-1946

1946 - Monographs

Picasso: The Recent Years 1939–1946

Guernica: Pablo Picasso

1947 - Monographs

Guernica: Pablo Picasso

EN Álbum oficial de la Exposición Internacional de las Artes y Técnicas para la vida moderna

Paris, 1937 - Monographs

The International Exhibition of Arts and Technology in Modern Life, Paris, 1937. Official album with colour photographs

Pablo Picasso, <em>El osario</em> (The Charnel House), 1944–1945

Oil and charcoal on canvas, 1944–1945 - Oil and charcoal on canvas

El osario (The Charnel House)

Lucy R. Lippard, <em>Six Years: The dematerialisation of the art object from 1966 to 1972</em> [1973], Berkeley: University of California Press, 1997

New York: Praeger Publishers Inc., 1973 - Essay

Six Years: The Dematerialization of the Art Object from 1966 to 1972

Jacques Derrida, “Archive Fever: A Freudian Impression”, <em>Diacritics</em>, Baltimore: The Johns Hopkins University Press, vol. 25, no. 2 (summer, 1995): 9–63

<em>Diacritics</em>, Baltimore: The Johns Hopkins University Press, vol. 25, no. 2 (summer, 1995): 9–63 - Essay

“Archive Fever: A Freudian Impression”

Hal Foster, “An Archival Impulse”, <em>October</em>, no. 110, Cambridge (MA): The MIT Press (autumn, 2004): 3

<em>October</em>, no. 110, Cambridge (MA): The MIT Press (autumn, 2004): 3–22 - Essay

“An Archival Impulse”

Okwui Enwezor, “Archive Fever: Photography between History and the Monument”, in <em>Archive Fever: Uses of the Document in Contemporary Art</em>, New York: International Center of Photography, exh. cat., 2008, 11-51

<em>Archive Fever: Uses of the Document in Contemporary Art</em>. New York: International Center of Photography, exh. cat., 2008, 11–51 - Essay

“Archive Fever: Photography between History and the Monument”

Front cover of the book <em>Maria Eichhorn. The Artist's Contract</em>, Gerti Fietzek (ed.), Cologne: Buchhandlung Walther König, 2009

Gerti Fietzek (ed.), Cologne: Buchhandlung Walther König, 2009 - Essay

Maria Eichhorn. The Artist's Contract

“How Effective Is Social Protest Art? (Vietnam)”, in Jeanne Siegel (ed.), <em>Artwords: Discourse on the ‘60s and ‘70s</em>, Ann Arbor: UMI Research Press, 1985, 100-101

Jeanne Siegel (ed.), <em>Artwords: Discourse on the ‘60s and ‘70s</em>, Ann Arbor: UMI Research Press, 1985, 101-119 - Essay

“How Effective Is Social Protest Art? (Vietnam)”

Cover of the book <em>Picasso’s Guernica</em>, Ellen C. Oppler (ed.), New York and London: W. W. Norton & Company, 1988

Ellen C. Oppler (ed.), <em>Picasso’s Guernica</em>, New York and London: W. W. Norton & Company, 1988, 236–238 - Essay

“How Effective Is Social Protest Art? (Vietnam)”

Cover of the Francis Frascina's book <em>Art, Politics and Dissent: Aspects of the Art Left in Sixties America</em>, Manchester and New York: Manchester University Press, 1999

Manchester and New York: Manchester University Press, 1999 - Essay

Art, Politics and Dissent: Aspects of the Art Left in Sixties America

Cover of the book by Howard Jones <em>My Lai: Vietnam, 1968, and the Descent into the Darkness</em>, Oxford: Oxford University Press, 2017

Oxford: Oxford University Press, 2017 - Essay

My Lai: Vietnam, 1968, and the Descent into the Darkness

Essay by Francis Frascina, <em>Retort, Guernica, the 2006 Biennial of Seville, and Anti-War Protests</em>, July 2018

Essay, July 2018 - Essay

Retort, Guernica, the 2006 Biennial of Seville, and Anti-War Protests

Cover of the book <em>American Visual Cultures</em>, David Holloway and John Beck (eds.), New York: Continuum, 2005

David Holloway and John Beck (eds.), <em>American Visual Cultures</em>, New York: Continuum, 2005, 190–198 - Essay

“New Modes of Dissent in Art of the 1960s and 1970s: Visual Culture and Strategies of Resistance: from Semina to Heresies”

Targets (study after Guernica)

1969 - Oil and charcoal on canvas

Targets (study after Guernica)